The concomitant effect was meant to lead the viewer to associate Mussolini’s accomplishments with those of Augustus himself. The famous Res Gestae Divi Augusti (“Deeds of the Divine Augustus”) was re-created on the wall of the altar’s pavilion. Newly built Fascist palaces, bearing Fascist propaganda, flank the space dubbed “Piazza Augusto Imperatore” (“Plaza of the emperor Augustus”). Following the 1937 retrieval of additional fragments of the altar, Mussolini directed architect Vittorio Ballio Morpurgo to construct an enclosure for the restored altar adjacent to the ruins of the Mausoleum of Augustus near the Tiber river, creating a key complex for Fascist propaganda. Art, architecture, and iconography played a key role in this propagandistic “revival”. In questi casi è possibile optare per delle strutture attrezzate messe a disposizione dallAgenzia Funebre Monzese, le Case Funerarie Domus Pacis. Benito Mussolini himself cultivated a connection with the personage of Augustus and claimed his actions were aimed at furthering the continuity of the Roman Empire. Case Funerarie Domus Pacis In alcuni casi la propria dimora non risulta idonea a ospitare una camera ardente o non si vuole dare l’ultimo saluto a un caro estinto nella camera mortuaria di un ospedale. The revival of the glory of ancient Rome was central to the propaganda of the Fascist regime in Italy during the 1930s. This excavation was mandated by the order of the Italian government of Benito Mussolini and his planned jubilee in 1938 that was designed to commemorate the 2,000th anniversary of Augustus’ birth. Work at the site began again in February 1937 when advanced technology was used to freeze approximately 70 cubic meters of soil to allow for the extraction of the remaining fragments. Although von Duhn reached this conclusion by 1881, excavations were not resumed until 1903, at which time the total number of recovered fragments reached 53, after which the excavation was again halted due to difficult conditions. Domus Pacis Family Respite encourages cancer patients, their families and friends to escape to the beauty of the mountains and experience the peace that comes. The German art historian Friedrich von Duhn of the University of Heidelberg is credited with the discovery that the fragments corresponded to the altar mentioned in Augustus’ Res Gestae. The name Domus Pacis stands for House of Peace and Stillness, reflecting the philosophy of the Pilgrim House as part of the historic ensemble of the. It was not until 1859 that further fragments of the Ara Pacis emerged. These initial fragments came to be dispersed among various museums, including the Villa Medici, the Vatican Museums, the Louvre, and the Uffizi. The first fragments of the Ara Pacis emerged in 1568 beneath Rome’s Palazzo Chigi near the basilica of San Lorenzo in Lucina.
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